The Good and the Bad

For the sake of this post, I am going to focus mainly on the beginning of the first scene of act four, where the viewer sees Shylock preparing to take the pound of flesh from Antonio, despite the fact that Bassanio has double what Antonio owes him for Shylock. It seems that the principle is the thing here for Shylock, and it also makes it appear as if the man wanted to take a pound of flesh from Antonio all along. It makes Shylock out to be the villain, being that he refuses to shake the bond and grant any form of mercy to Antonio despite the fact that he had lost everything before. Graziano says of Shylock after watching him sharpen his blade on his shoe: “Not on thy sole but on thy soul, harsh Jew,/Thou mak’st thy knife keen. But no metal can…/half the keenness/Of thy sharp envy [malice]” 4.1.123-135. The contrast to Shylock’s soul and his malice is interesting, because isn’t the soul what is equated to religion? It is possible that here they are equating his wickedness to the fact that he is a Jew.

Shylock’s wickedness continues as the scene goes on and a disguised Portia enters the scene, pretending to be a judge in attempts to get Antonio free of this bond he is currently caught up in. She speaks to him, trying to convince him to cut the bond, but he does not give in to her reasoning, which is often quite clever indeed. Portia asks whether or not he has a surgeon to stop Antonio’s bleeding, and he says he does not which leads Portia to ask him if he do it for charity, Shylock answers: “I cannot find it. ‘Tis not in the bond.” 4.1.257. This shows Shylock as a person who cares only for the bond and the deals that he makes, rather than focusing on the actual person before him who has lost everything due to his ships sinking.

Meanwhile, Antonio manages to, though Shylock was about to kill him by taking a pound of his flesh, get the fine he would have suffered reduced and get half of it in a trust for Jessica and Lorenzo for after Shylock’s death. This paints out Antonio to be the hero. Shylock must basically get rid of all of his fortune—which the viewer  has seen to be very important to him—due to the fact that the bond has been broken after he was seeking to take Antonio’s life. Antonio, though he was nearly killed moments ago by Shylock before Portia’s reasoning saves him, is the kind and caring man who only wants to help reduce the fine, because that is what he must do, even if there is a bit of a second motive in it being that he helps get half of it secured for his friend who has married Jessica.

Though earlier in this play, Shylock seems to be the victim to Antonio, it appears as if Shakespeare has turned the tables on this sympathy that the viewer might have been gaining for Shylock. In the beginning, Shylock accuses Antonio of calling him a dog and spitting on him, to which Antonio does not deny and in fact states he would do again, and yet now he is reducing a fine on Shylock’s welfare even after Shylock attempted to take his life. Shakespeare seems to really want to kill any feelings the viewer may have garnered for Shylock in order to paint  Antonio as the hero here, and really get the point across that, as discussed in class on Friday, the Christians in this play are the generous ones, that would give up all for another man.

Shakespeare's reoccurring "Debbie Downer"

After reading Act I scene 1 of The Merchant of Venice my first thought was “Oh wow, another one of Shakespeare’s male character sulking…what a surprise.”  Antonio’s sour mood immediately reminded me of Romeo’s lovesick depression in Act I, scene 2 of Romeo and Juliet, as well as Orsino’s glum demeanor in the opening scene of Twelfth Night.  Though the reason for Antonio’s depression differs from Romeo and Orsino’s, the readers are still introduced to an unsatisfied male character at the start of the play.  In fact, the first line of the play immediately informs us of this dissatisfaction: “In sooth, I know not why I an so sad.” (1).  

I find this reoccurrence of depressed, unsatisfied, or sulking men at the beginning of Shakespeare’s plays a very interesting topic of discussion.  And what’s unique about Antonio is that he doesn’t even know why he’s feeling the way he is.  It immediately introduces his character as whiny, indecisive, and a bit of a crybaby.  However, it seems that Shakespeare creates these characters just so he can later make fun of them through the mouths of his other characters.  And I think that this is brilliant and hysterical.  Shakespeare writes these heart wrenching and soul quivering poetic passages that describe his characters’ depressed and dejected dispositions and then immediately mocks it.  For example, in lines 77-79, Antonio says to Graziano: “I hold the world but as the world, Graziano—A stage where everyman must play a part, And mine a sad one.”  Graziano, in lines 79-104 , then proceeds to mock Antonio’s serious and over-analytical attitude.  My favorite part of this passage is when Graziano proclaims, “With mirth and laughter let old wrinkles come.  And let my liver rather heat with wine than my heart cool with mortifying groans” (lines 80-82).  Shakespeare is poking fun at Antonio and, more over, is poking fun at his own writing.  

Graziano’s aforementioned passage is definitely my favorite part of Act I.  He basically took the words right out of my mouth and said exactly what I wanted to say to Antonio (yet in a much more eloquent way, obviously).  I think that Graziano’s advice for Antonio is still so prevalent in today’s world.  A lot of people, like Antonio, need a friend to sit them down and give them the “take a chill pill” speech every now and then.  Nobody wants to be around the “Debbie downer.”  It was very refreshing to have the Shakespearean version of the “Debbie downer” put in his place.  Examples such as this really solidify my enjoyment of Shakespeare’s sense of humor in his writing.  He can create a beautiful character with depth and poetic solemnity…followed by another character that makes fun of him and his somber poetry.                                                    

Portia and Bassanio: A complicated love affair?

The character of Portia in Shakespeare’s The Merchant of Venice, is one that is particularly interesting. She is described as being a beautiful and wealthy individual, characteristics that are commonly seen in the female characters of William Shakespeare’s pieces. Once of Portia’s most entertaining qualities seems to be her witty nature. This can be seen when Portia is engaged in conversation with her waiting-woman, Nerissa.

In the beginning of the play, Portia is describing the conditions in her father’s will which are controlling her decision to find a suitor. Portia describes her inability to choose a husband when she states: “I may neither choose who I would nor refuse who I dislike; so is the will of a living daughter curbed by the will of a dead father” (1.2 20-22). According to her father’s will, in order for Portia to marry, the men must choose from three chests, each being made of gold, silver, or lead.  In only one of the chests lies a portrait of Portia. The man who choses the chest which includes the portrait is the individual who will be honored in marrying Portia. In order to pay respect to her father, Portia agrees to adhere to the condition of her late father’s will, despite the slightly frustrating and tiresome process that she must endure. 

When conversing with her waiting-woman, Nerissa, Portia is discussing the reasons why she will not marry a various amount of men. Portia provides several flaws that these men have, some being entirely shallow and humorous. These reasons include men who seem to be too consumed with themselves, men who are too serious and men who indulge in alcohol too frequently. Although the readers are given no reason to not believe Portia, it is fair to question if these reasons for not accepting the various suitors are entirely truthful, or if they are simply excuses made by Portia. 

Regardless, Portia is fearful that she will never find a respectable man to marry. It is then, when Nerissa suggests that Portia consider Bassanio to be one of her suitors. Bassanio is one of the only men who Portia considered to be a respectable candidate for marriage, which can be seen when she says “I remember him well, and I remember him worth of thy praise” (1.2 100-01). This line serves in great contrast to Portia’s reaction to the other men. 

At this point, it can be assumed that Portia is unaware of the fact that Bassanio is in the process of attempting to obtain a loan in order to woo Portia. Because of the wealthy status that the other suitors possess, Bassanio feels the need to borrow three thousand ducats in order to be considered as a suitor for Portia. In order to do this, he must obtain a loan from Shylock. The audience later learns that this agreement is more complicated than it first appears, as Shylock has a great hatred towards Antonio, whom is supporting the loan. This can be seen when Shylock says “I hate him for he is a Christian; But more, for that in low simplicity He lends out money gratis, and brings down the rate of usance her with us in Venice” (1.3 37-40). It is clear at this point in the play, that the relationship between Antonio and Shylock may have a great impact on Bassanio’s relationship with Portia. 

Characters

Sam Montagna

Professor Mulready

Shakespeare II

30 January 2012

Characters

Antonio is saddened, yet he does not know why. His friends suppose that he is in love or his “merchandise” is making him upset (Shakespeare 40.1122). Antonio denies all of this. Antonio reminds me of a person who has everything going for them but is still depressed. He has friends who support him and he is not living in poverty. If I had to guess what was wrong with him, it would be that life has gotten him down. I think he is a little lost. He states that he does not know where the misery has come from and that he has a lot of learning to do inside himself (5-6.1121). Graziano's advice seems the best suited for Antonio's situation. He basically tells him to relax. “Why should a man whose blood is warm within sit like his grandsire cut in alabaster” (83-84.11230). Why should a man filled with passions and dreams sit still like a tombstone? Graziano, although there is little to no description about him, seems very wise and sensible. After Graziano leaves, Bassanio has a talk with Antonio. Antonio is a great friend. Bassanio owes him money and love and Antonio still agrees to help Bassanio out in winning the heart of the fair Portia. Bassanio wants to be in the same league as the other men that chase Portia, who is so beautiful and good, she is compared to Brutus' wife. Portia, on the other hand, is tired of the losers that want to marry her. I do not understand Portia's father's conditions for her marriage. Nerissa speaks of a lottery in which men choose their “meaning” (27.1126). According to Nerissa, the one who chooses correctly will be the one that Portia falls for. Portia also hears of Bassanio and knows that out of all, he “was the best deserving a fair lady” (99.1127). The fact that Portia mentions Bassanio is foreshadowing. It is clear, the two will eventually meet later in the play. Bassanio and Antonio meet Shylock to borrow three thousand ducats. I feel so terrible for Shylock. Shylock dislikes Antonio because he is Christian and he loans money for free. Also, Antonio has called him names and spit on Shylock because he is Jewish. Shylock agrees to loan Antonio money after all of the abuse. Shylock even offers friendship to Antonio. Shylock is a bigger person than Antonio. Although Shylock is the “jew,” the very thing that many people despise, he overlooks the hatred even after Antonio admits that he would spit on him again. It is fair of Shylock to impose such a harsh consequence on Antonio if he cannot pay him back. Antonio agrees wholeheartedly to the bond because he is certain that he will be able to pay the loan back without any problem. I believe this is foreshadowing as well. It is obvious that Antonio's ships will not come back in time and Shylock will have to take a pound of his flesh. Antonio's arrogance when it comes to paying back all the money will backfire on him.

The Merchant of Venice - Act I

One of the first things I noticed while reading The Merchant of Venice was that Antonio and Bassanio are immediately set up as being different from their other friends. The play opens with Antonio speaking with Solanio and Salerio, who leave when Bassanio arrives with Lorenzo and Graziano, saying that they leave him (Antonio) with “better company” and that the new arrivals are “worthier friends.” Lorenzo and Graziano also depart almost immediately after encountering Antonio. I’m left wondering why this is; is it simply because Shakespeare wanted to set up Antonio and Bassanio as the protagonists? Or are the others of a lower class? I also found it interesting that Bassanio pokes fun at Graziano after he leaves, much like friends would in a similar situation today. Bassanio tells Antonio that Graziano speaks constantly, but never says anything worthwhile. It is unclear to me whether he meant it as an insult or a joke though.

Although we’ve only read the first act of the play, my favorite scene so far was our introduction to Portia and Nerissa. I felt that the dialogue between the two women flowed very well, almost better than the dialogue between the other characters. I also felt that the dialogue in this scene (1.2) had more comedic aspects throughout it. Even though I felt bad that Portia was being forced to choose a husband from a select group as opposed to being able to choose on her own, I also found it amusing that she couldn’t find any redeeming qualities in any of the suitors. Another thing that I noticed in this scene was that Portia seems to speak more than almost anyone else in the play so far, except for possibly Shylock. Is there a reason for this, or is it just because of the questions she is answering?

We are asked, in our reading questions, to consider the character of Shylock and even in the introduction to the play in the Norton we are asked to consider whether or not the portrayal is anti-Semitic in any way. The character is obviously educated and he speaks well and at length, throughout scene 1.3. At this point in the play, however, I’m unclear as to whether his portrayal is anti-Semitic or not. Based on what took place during the scene, it seems that Shakespeare may just be portraying anti-Semitism as it is at the time, as opposed to taking a side about it. We learn that Antonio has, in the past, insulted and spit on Shylock, presumably only because he is Jewish. On the other hand, Shylock tells the audience outright that he “hate[s] him for he is a Christian” (1.3.38). This makes it hard to tell what the intended portrayal of ant-Semitism is in the play because both characters dislike each other based on their religions. I also noticed that Shylock is one of the more comedic characters we’ve met in the play so far and I wonder if his sarcasm is meant to make him more or less desirable. Personally, I seem to like his character more when he is mocking Antonio and Bassanio (around 1.3.110) because of the humor, but I’m unsure if this is intended or not.