Shakespeare’s Much Ado About Nothing is already, a very interesting play. The
first thing that grabbed my attention was the title. It seems here that
Shakespeare is blatantly telling his audience that the conflict that occurs in
this play is unnecessary. This informed the rest of my reading of the first two
acts very much, and helped me formulate the two questions I will attempt to
answer here.
In the play, Beatrice and Benedick
seem to at first despise each other, but with small clues like Leonato
explaining that theirs is a “merry war” (1.1, 50) and eventually telling
Claudio that Beatrice is secretly in love with Benedick the reader may think
otherwise. My first question is centered on this belief. In act II, scene 1 Don
Pedro, the prince, decides that he will take it upon himself to make Beatrice
and Benedick fall in love because he believes they will be good for each other.
At first Leonato doesn’t seem sold on the idea. He states that “if they were
but a week married they would talk themselves mad” (2.1, 307-308). It is only
after Don Pedro puts pressure on the group to follow him on this venture that
Leonato tells Claudio of Beatrice’s secret love, while Benedick is in ear shot.
I wonder, is he only making this up to please the prince and trick Benedick
into thinking that Beatrice is in love with him? The tile of the play would
seem to suggest so, and Spark Notes states that “Beatrice mocks him again
before departing, but the infatuated Benedick interprets her words as
containing hidden messages of love” (Summary and Analysis of Act II, scenes
i-iii) which also suggests deception on Leonato’s part. Based on this evidence
I would assume that Beatrice is not really in love with Benedick.
The other question that I have is about
the love triangle that is going on in the play with Claudio, Don Pedro, and
Hero. In the play Claudio reveals to Benedick that he is in love with Hero. In
turn, Benedick tells Don Pedro this news who he decides to win Hero for Claudio
by pretending to be him at the masquerade. During the masquerade Claudio over
hears that Don Pedro is wooing Hero and becomes very upset because he does not
know that Don Pedro is doing it for him. This is my question: Is Don Pedro
really doing this for Claudio or is he wooing Hero for himself? First of all, it
is strange that Don Pedro doesn’t tell Claudio this plan and get his blessing beforehand.
In addition, I’m surprised he would even want to do this in the first place
because if it works and Hero finds out that her wooer is really Don Pedro then
she might want him instead of Claudio. On the other hand, Don Pedro is the
prince so he probably feels that there is no need to tell Claudio because he
should be happy the prince is doing anything for him. Furthermore, it seems
like it is in his nature to play match maker, since we see this with Benedick
and Beatrice as well. Therefore, in this case I would say that he is not trying
to woo Hero for himself, but that he is genuinely trying to help Claudio.
Either way, it seems to me that Don
Pedro is at the center of the drama in this play and that miscommunication and perception
are the themes that will drive the plot, as the title Much Ado About Nothing seems to suggest. I guess
I’ll just have to wait and see if my specific questions are answered and if my
predictions are correct!
1 comment:
I'm thinking about how to connect these two interesting quesitons, Sam, and it occurs to me that the thread that runs between both is the problem of perception. How can we know if someone is in love with us? Why do we ever make assumptions about another person's feelings or beliefs? These are interesting questions to a dramatist like Shakespeare, and in both the instances you cite the plot revolves around the interesting things that people do to convey their feelings. In the case of Beatrice it is funny because, even as she attempts to put off Benedick, he interprets her actions as meaning the opposite--that she loves him! So even when we try to be clear about how we feel, human interactions always leave open the possibility for confusion.
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