The Colorful and Compelling
Lady Macbeth
This is my first time reading Macbeth and I must admit to my surprise upon
seeing such a fierce and fiery female character. Lady Macbeth is quite a colorful and intense
woman. Reading her lines after recently completing
King Lear makes me recall Regan and
Goneril, two other bloodthirsty Shakespearean ladies. If all three women were in the same play, I
think they would be great “frenemies.” Lady
Macbeth, as seen with Regan and Goneril, can be just as brash and ferocious as
the male characters of Shakespeare. Shakespeare
cares a great deal about giving a fair representation of power corrupting both
genders. Macduff’s lines after learning
of King Duncan’s death in 2.3 reveal the
view of women that is commonly held when thinking about Shakespearean women: “O
gentle lady,/ ‘Tis not for you to hear what I can speak./ The repetition in a
woman’s ear/ Would murder as it fell” (59-62).
Shakespeare gives us such an ironic speech from Macduff that as a reader
one almost can chuckle. It is
interesting how he calls her “gentle lady,” as her actions and eagerness to
perform cutthroat duties for power definitely are not tender or “gentle.” Also the fact that Macduff cannot even
imagine uttering what has occurred to Lady Macbeth because it “would murder as
it fell” is fascinating. He believes to
be sparing her, when she is the last one that should be spared. As the reader, we are granted access to some fabulous
Shakespearean dramatic irony.
In 2.2
a great use of antithesis can be seen with Macbeth and his wife. Macbeth appears to be a thinker and somewhat
more sentimental. These are traits traditionally thought of as “female”. After the murder he committed he doubts that
the entire ocean could cleanse him from this wrongdoing: “Will all great
Neptune’s ocean wash this blood/ Clean from my hand?” (58-59). Macbeth immediately thinks to the grand scale
and suffers from the guilt of his action.
Whereas a couple lines down, Lady Macbeth views here assistance and
guilt quite differently: “A little water
clears us of this deed” (2.2.65). She believes
that only “a little water” will save her and her husband from their wicked
deed. Shakespeare gives the reader opposites with “Neptune’s ocean” and “a
little water” that are extremely well played in this scene.
Lady
Macbeth’s hasty nature and feistiness reminded me of Henry IV’s Hotspur. Her
attitude, and intense focus on action are interesting but do not bode well for
her character. In 2.2 she states to
Macbeth: “These deeds must not be thought/ After these ways. So, it will make us mad” (32-33). Her focus on the immediate is a major character
flaw. She even seems to take pleasure in
her treasonous involvement. The lady essentially
yells at her husband for his inaction: “Infirm of purpose!/ Give me the
daggers. The sleeping and the dead/ Are
but as pictures. ‘Tis the eye of childhood/
That fears a painted devil” (2.2.50-53). Again her attitude reminds me much of
the reckless warrior mindset of Hotspur.
She is ready to do whatever it takes and has holds an impetuous approach. It will be great to see how Lady Macbeth’s
character unfolds throughout the text.
1 comment:
I think your reflections here on the various female characters in Shakespeare are really useful, Jacey! It's important to see Lady Macbeth (who could possibly have been played by one of the actors who performed Goneril, Regan, or Cordelia) as part of a tradition in Shakespeare's women. She is fierce, indeed, but also suffers a demise that shows her ultimate vulnerability. In this way the reference to Katherine in *Shrew* is perhaps appropriate--there's another female character who has her fun before ultimately being brought down!
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