Act
four is only comprised of one scene, and even though a few different things
happen within this scene it is safe to say the most significant event is
Richard’s resignation as king, and his crowning of Bolingbroke to rule in his
place. When Richard enters the scene he
expresses a melancholy demeanor as he speaks of how short a time he has had to
adapt to his transition from king to subject, stating “I hardly yet have
learned / To insinuate, flatter, bow, and bend my knee” (4.1.155-56). He insists that he should be given more time
to deal with the sorrow he feels from falling from his position of absolute
authority to a humbled state of submission.
When he questions why he has been brought before Bolingbroke York reminds
him that it is his duty to perform the ceremony of crowning a new king. Richard holds the crown in his hands and
speaks to Bolingbroke with words of self-pity, describing how the crown is like
a deep well. As Bolingbroke’s bucket
becomes “the emptier ever dancing in the air,” Richard’s bucket becomes “down,
unseen, and full of tears” (4.1.176-77).
When Bolingbroke questions his willingness to resign Richard says that
he is giving up his crown, but not his grief at losing it. This back and forth exchange between Richard
and Bolingbroke seems like an attempt to delay the inevitable, but finally
Richard hands over the crown and his sceptre.
When Richard asks what more there is to do, Northumberland states that
he must confess to the accusations and crimes he and his followers committed during
his kingship. Richard argues that he
should not have to give a public reading of his acts of wrongdoing as it would
shame him, and he is already feeling miserable about being deposed. Northumberland insists upon reading them, to
which the Richard replies “Mine eyes are full of tears; I cannot see,” (4.1.234). Richard seems to play out his grief in an
overly dramatic way that doesn’t seem to suit the proper demeanor of a
king. Richard becomes even more
melodramatic as he comments on Northumberland referring to him as “lord” and
exclaims that he is no lord of his, but furthermore that he is “no man’s lord”
(4.1.245). He no longer has a name or a
title.
Richard’s request to have a mirror
brought to him only emphasizes his over dramatic reaction to his
resignation. He looks at his image
reflected in the glass and rambles on about how he cannot believe he had so
quickly lost his royal authority and king status. He looks at his face and recalls his glory
days:
Was this face the face
That every day under his
household roof
Did keep ten thousand
men? Was this the face
That like the sun did
make beholders wink?
Is this the face which
faced so many follies,
That was at last
outfaced by Bolingbroke?
A brittle glory shineth
in this face,
As brittle as the glory
is the face. (4.1.271-78)
Richard
then shatters the glass, exclaiming how his deep sorrow destroyed his
face. Bolingbroke suggests that the
darkness of his sorrow, not the sorrow itself, is behind the destruction of the
resigned king’s face.
This entire moment within the scene
may have been intended to make me feel compassion toward Richard, but in
actuality it made me dislike him more.
His behavior was very unbecoming of someone who had once been a king,
and yet can we even truly say he ever possessed the qualities of an honorable
king? His self-pity and overdramatic
reaction to his grief over his resignation in this part of the scene make clear
to us just how weak Richard was from the very beginning. The truth is that the loss of power he
laments for he never truly possessed.
The only type of king Richard can rightfully be called is a Drama King.
1 comment:
You have some really excellent insights in this post, Brittany, about Richard's use of "drama" in this scene. And you are right that this potentially further diminishes his status as king. But I'm curious to know if you think it might also be a way that he reasserts power? Is "playing" with Bolingbroke, perhaps, a way that he might assert himself more forcefully here?
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