New Paltz Shakespeare: The Character of KIng Richard based on His Action's in Act I

New Paltz Students Blogging about Shakespeare

Friday, December 17, 2010

The Character of KIng Richard based on His Action's in Act I

Posted by Ryan Williams at 5:15 PM

Email This BlogThis!Share to X Share to Facebook Share to Pinterest

No comments:

Search This Blog

Course Links

Online Shakespeare Resources
Complete eText of Shakespeare's Plays
Oxford English Dictionary (New Paltz Students Only)

Words, Words, Words

Shakespeare King Lear Macbeth A Midsummer Night's Dream Richard II Hamlet Merchant of Venice measure for measure much ado about nothing Shylock Iago Lady Macbeth the merchant of venice Othello Richard III Act V Love language Portia cordelia marriage power The Tempest death Act 1 Scene 1 Antonio Beatrice Benedick Helena Henry IV Hero characterization claudio identity villain witches Bassanio Demetrius Edmund Gertrude Henry V Hermia Kent Ophelia Prince Harry Twelfth Night bolingbroke class evil isabella jealousy meta-post performance reflection szpunt women Act IV Albany Angelo Don John Dreams Erika Pumilia Falstaff Goneril King Henry IV King Richard Lear Lysander Miranda Prospero Queen Margaret act 1 act 1 scene 2 antonio/bassanio relationship blogging comedies divine right fate gender history plays interpretation katherine manipulation midterm patriarchy servants women's roles A Midsummer Night's Dream Act I and II A Midsummer Night's Dream Act V Act 2 Scene 1 Act I Act I Scene 1 Aumerle Desdemona Duches of Gloucester Duchess of York Duke of York Egeus Final blog Fools Gaunt Hecate Hotspur Humor John of Gaunt King Duncan Lady Macbeth transformation Macduff Much Ado About Nothing Act IV Nerissa New Paltz Production Persuasion Romeo and Juliet Social Class Titania act 2 act iii acts 1 and 2 ambition bianca blogging about blogging bond christianity comedy communication comparison control death of Cordelia discontent duke duke and isabella edgar epilogue fear feminism funny tragedy graziano honor hypocrisy masculinity meta post mid-term midterm blog post minor relationships overlooked much ado about nothing moon natural opehila orsino paradox petruccio play within a play power relations regan religion revenge review sassy gay friend scene 2 serious comedy sexuality speech stage directions stereotypes sympathy taming of the shrew the curse the fool violence water wife words A Renaissance Feminist A post about posting Act 1 Scene 3 Act 2 Scene 3 Act 3 Scene 2 Act 3 Scene 3 Act 3 scene 1 Act 4 Act 4 Scene 1 Act 4 Scene 3 Act 5 Scene 1 Action Acts I and II Analysis of Posts Anne Ariel Balthasar Banquo Baptista Bonds Borachio Caliban Characterization of Hero Claudius Comparisons Cornwall Crazy Woman Critical Thinking Dance Debbie Downer Dogberry Don Pedro Emasculation England Ferdinand Feste Fortune Frank Llyod Wright Friendship Gender roles George Ghost of Hamlet Gloucester Glyndwyr Hal Hamlet Act I-III Handkerchief Harry Harry Potter Henry IV part 1 Honest Iago Ibsen In James I Jew Jews Judas Killing of Polonius King of France LOLs Lancelot Lear's Daughters Leonato Macbeth live production Madness Marriage and Money Merrymaking Meta Post Modern Blog Money Morality Mother/Son Relationship NPR OED Oedipus complex Ophelia. Othello Act 1 Othello Act III Othello Act V Parallel Characters Parallels Path and Power Patriarchal Authority Patriarchal Society Paul Kassel Personal Growth Pilate Play within Prince Henry Puck Pyramus and Thisbe Queen Isabel RSC Rank Richard's happiness. Robin Rosencrantz and Guildenstern Scene V Scotland PA Shakespeare's Intentions Shakespeare's badasses Shylock: Villain or Victim? Significance of Friar's Plan Sinful Behavior Social Order Spoof Star-crossed lovers Struggle Succession Tax The Subconscious The Taming of the Shrew The Tempest Act 4 Scene 1 The scottish play Themes Trinculo Trust Unity of Space Verges Weird Sisters Wit Wittenberg a Hamlet mention in a Midsummer Nights Dream post wait what? ambiguous morality anti-semitism aphorisms assertion avoidance banter bastards black blog posts breaking the fourth wall cesario chaos character chess color commodification confused contrast conversion crybaby cycles cymbeline daughters deception deformity depression desire diction disdain double standard dysfunction eastcheap ego emotions ending ethos etymology eyes fairy family femininity fight film foreshadow? foreshadowing form fragmentation function ghost green guilt happiness hate hierarchy highwaymen history homosexuality http://www.youtube.com/watch?v=E4cMHnWIR9k iachimo illiterate image imogen incest insanity irony jacobean jewish stereotypes kingship knowledge last blog legitimate violence life lineage liveries logos love triangle loyalty lucio lucrece lunar phases magical malcolm manipulator mariana match meaning meta metapost midsummer mistress overdone morals motive nature new paltz not cool noting obsessed ocean opposing ownership passion pathos perceptions and relationships. play plots politics polonius possession private production progress property public punishment questions rebirth redemption refreshing relationships religious diction reoccurring theme repetition resilience return to normalcy rhetoric richard II Divine right rings ross rude mechanicals seem spectacle status storm strong female subtext suicide supernatural surveillance tarquin the masque the other the play the power of language the rape of lucrece the scots the state the status quo thought thoughts torment uncertainty unrequited love video villainy virginity virtue weeping writing

Blog Archive

February (3)
January (3)
December (22)
November (63)
October (47)
September (44)
August (1)
May (11)
April (73)
March (29)
February (33)
January (14)
May (54)
April (74)
March (33)
February (49)
January (16)
December (21)
November (71)
October (63)
September (29)
August (17)
May (52)
April (93)
March (44)
February (57)
January (1)

Awesome Inc. theme. Powered by Blogger.